When Diesel meets Tempter and the Blue Angel in the warehouse, his understanding of the world shatters. Diesel walks alone toward the old warehouse on the edge of town, skateboard under one arm, headphones around his neck like a loose collar.
The building waits beside the train tracks, a forgotten giant of cracked brick and peeling graffiti, its windows boarded or punched out.
He loves this place.
Inside, the air always smells like dust, spilled soda, sweat, and overheated amps. Local bands sneak in and play until security chases them off. It’s where the town’s noise hides.
But today, the warehouse feels different.
A knot sits in Diesel’s stomach, tight and cold.
He taps play on his phone. A wall of guitars and drums slams into his ears. His shoulders drop a little. Rock has always been his shield—loud enough to drown out everything. Homework. Fights. Silence.
Lately, though, something in the songs feels…off.
He can’t name it. Not yet.
Why does the music feel heavier? He wonders. Like something invisible is riding on top of the chords.
He pushes open the rusted door.
Sunlight leaks through holes in the roof, catching drifting dust like tiny, lost planets. Broken speakers, dead amps, and splintered pallets litter the floor. The echo makes every small sound feel too loud.
Then Diesel sees him.
On a stack of busted speakers near the back sits a stranger.
The guy wears a long, dark coat that doesn’t match the season. No flashlight. No phone. But Diesel feels him before he fully sees him—a strange pull under his skin, like a magnet running underneath the floor.
He stops.
“Uh…who are you?” Diesel asks. His voice shakes, but curiosity shoves past his fear.
The stranger smiles, slow and smooth.
“I am called Tempter,” he says. His voice is soft as velvet, but the sound presses on Diesel’s ears. “I am sent to help you see the truth about the music you love.”
The way he says truth tightens the air. A thin, shadowy ripple flows from Tempter’s chest like ink in water, threading itself into the song still leaking from Diesel’s headphones.
Diesel shifts his weight, suddenly aware of how alone he is.
“There’s nothing wrong with rock,” he says. The words come out thinner than he means them. “It’s just…music.”
“Rock has woven itself into the fabric of your society,” Tempter replies. His eyes gleam in the half‑light. “It shapes behavior. Beliefs. Identity.”
Diesel’s pulse jumps. Teachers say similar things about algorithms and social media. This feels like that, but sharper. Personal.
“It is not just entertainment,” Tempter continues. “It is a force. It hides deep connections to chaos and darkness.”
Chaos and darkness.
The words hit old memories—late‑night conspiracy threads he scrolls when he can’t sleep. He always laughs at them. Pretends they don’t stick.
Tempter leans forward on the stack of speakers.
“Rock is saturated with rebellion, despair, disconnection,” he says. “It sells a lifestyle of materialism and permanent dissatisfaction. Its frequencies resonate with negative emotion, infecting the minds of the young and impressionable.”
Images flash behind Diesel’s eyes: nights lying awake with headphones on, volume too high, his stomach buzzing with anxiety he can’t explain.
“As more people turn to it for comfort or thrill,” Tempter says, “they drift away from spiritual truth. They become shadows of who they could be.”
He lets the words hang.
“This,” Tempter adds quietly, “is my design. To distract humanity from their higher purpose.”
Cold prickles run across Diesel’s arms. The shadows around the speakers seem to deepen, all of them leaning toward Tempter.
Tempter stands and begins walking slowly through the warehouse, his fingers trailing along broken equipment.
“Look at your world,” he says. “Rock music infects every corner. It is the perfect tool to weaken any value that might protect souls.”
In Diesel’s mind, scenes flicker: screaming fights at home, his parents’ near‑divorce, friends ghosting each other over nothing, comment sections boiling with rage.
“Relationships fracture,” Tempter says. “Family bonds snap. Communities crumble under the weight of these chaotic melodies.”
He sweeps a hand toward the cracked windows and the town beyond.
“Crime rises. People use rock as an escape, surrendering to anger and despair. Rebellious themes glorify defiance, teaching youth to spit on values that once held your world together. Governments are exploited. The powerful profit from the chaos.”
Each sentence digs into Diesel’s thoughts. It feels like Tempter is unpacking things Diesel already suspects but never says out loud.
A bigger picture forms in his mind—a grand, ugly design. Fallen beings pulling strings. Music as a toxin. Humanity is breathing it in.
Then the light in the warehouse shifts.
A soft, radiant blue glow blossoms beside Tempter, like a new color bleeding into a dark painting. The air around it feels lighter, cooler, almost clean.
A blue‑robed angel stands there, wings folded tight, presence calm but intense.
“Diesel,” the Blue Angel says. Her voice rings like a clear bell through the dusty air. “What if I tell you that you can change this?”
Diesel’s heart jumps hard enough to hurt.
“You can start a movement,” she continues, stepping closer. “You can help eliminate rock music from the world.”
The idea hits him like a rush: ambition, anger, fear, hope—knotted together.
“How do I even start?” he asks.
The Blue Angel smiles. When she does, pale blue light spirals from her chest like soft smoke, brushing over Diesel’s skin and quieting some of his inner static.
“You find others who feel the same,” she says. “You start a campaign. You expose the harm hidden in rock music. Use social media. Organize protests. Educate your peers. Encourage musicians to explore other sounds—music that heals and unites instead of tearing souls apart.”
Tempter’s expression tightens, but he stays silent, watching like this is all going according to some plan.
“This campaign can ignite a revival of true values,” the Blue Angel says. “And you can lead it.”
Tempter steps back into the half‑shadow. His eyes glimmer.
“Unite your friends, your community,” he says now, his tone suddenly supportive. “Spread flyers. Make videos. Host workshops on more uplifting, spiritually rich music.”
Diesel’s chest thrums with adrenaline.
Me? Lead something?
He usually feels like a background character at school. The kid no one remembers in group photos.
But now, with a fallen being and a blue angel staring at him as if he matters, he feels like he’s standing at the center of a cosmic stage.
“I…guess I can try,” Diesel says.
Above his head, thin tendrils of shadow and pale blue light twist together, marking him. He doesn’t see it.
He feels the weight of a choice he doesn’t fully understand.
Once Diesel starts a music movement and debates Tempter, the quiet town transforms into a battleground of beliefs. Weeks pass.
Diesel is not the same kid.
The guy who used to hide behind hoodies and playlists now stands at the front of classrooms and school assemblies, hands trembling but voice surprisingly strong.
“Rock music has soaked into everything we do,” Diesel tells a group of students, eyes moving over faces. “It’s not just background noise. It drags us into a cycle of negativity we don’t even notice.”
He talks about rebellion, despair, and disconnection. About songs that make self‑destruction sound poetic and numbness sound normal.
At first, his friends laugh.
“You’re canceling music now?” someone calls from the back.
Snickers ripple through the room.
Diesel keeps going. He mentions studies about mood, sleep, and anxiety. He shares his own late‑night thoughts—the buzz in his chest, the days he feels suddenly empty after bingeing certain albums.
Slowly, some faces stop smirking.
Hashtags start appearing on feeds: #EndRockHarm, #SeekTheLight.
Short videos spread: Diesel talking about “energetic residue,” other students confessing how certain songs leave them more alone, more angry, more wired than before.
Students organize small, peaceful rallies in the courtyard.
“We want music that lifts us,” Diesel says into a megaphone one afternoon. “Not sound that drags us down.”
Social media hums. Teachers whisper in break rooms. Parents start emailing the principal.
The movement grows.
So does the pressure inside Diesel.
Because Tempter never really leaves.
He appears at odd angles—reflected in a classroom window, sitting on the back of the bleachers, leaning against Diesel’s bedroom wall at midnight.
One night, Diesel lies on his back, staring at the ceiling. Earbuds lie on his pillow, unplugged. The house is finally quiet.
“Think about the power you’re holding,” Tempter says from the corner, his voice curling around Diesel’s thoughts.
“Rock music fosters rebellion,” Tempter continues. “It stirs passion. It wakes the spirit. You know how it fuels desire and ambition.”
Something twists in Diesel’s chest.
“But at what cost?” Diesel asks. “You told me it’s toxic. You want me to use the same chaos you warned me about? Now you’re saying it’s good?”
Tempter’s eyes narrow. “Chaos fuels change,” he says. “Look at a rock concert. People come alive. They drop their masks. For a few minutes, they feel like their true selves. They need that fierce spirit to smash a world that keeps trying to crush them.”
Diesel rubs a hand over his face.
He remembers the concerts he’s been to—crowds pressed together, sweat and heat, the noise like a living thing. He remembers feeling weirdly safe in that storm of sound, hidden and exposed at the same time.
He used to call that freedom.
Now he isn’t sure.
“I see what you’re trying to do,” Diesel says slowly. “But what if we can empower people without tearing something down?”
He doesn’t even know if he’s talking to Tempter or arguing with himself anymore.
He feels the Blue Angel somewhere behind his right shoulder, silent but present.
“What do you mean?” Diesel asks aloud, turning his head toward the shadow.
Tempter tilts his head, suddenly gentle.
“Instead of focusing on destroying rock,” Tempter suggests, “why not promote uplifting music that inspires and heals?”
Diesel waits, suspicious.
“We can use rock’s own power to lift souls,” Tempter says. “We harness that electricity—not to destroy, but to transform. Imagine a new kind of music. Wiggle music. Rhythms that pull bodies into motion. We blast it into churches, hospital waiting rooms, city streets.”
He spreads his hands, painting the air.
“Mostly peaceful music, everywhere,” Tempter continues. “People of every shape and color constantly jolted with electrochemical sparks triggered by jagged, syncopated beats.”
Diesel frowns. “Churches aren’t going to let loud, discordant music into their services.”
Tempter’s smile sharpens.
“Religions want youth,” he says. “So we adapt. We wrap rock in repetitive, hypnotic phrases of praise and worship. Teens will feel like they’re at a concert even on Sunday morning.”
His eyes glint.
“Wiggle music will help people connect with a diversity of spirits,” Tempter adds. “Many shunned spirits are eager to share abilities mainstream religions call ‘forbidden.’ Empowering abilities.”
A shiver runs down Diesel’s spine.
“Most doctrines tell believers to give up their will,” Tempter goes on, voice low. “To wait for someone else to fix their lives. Ask yourself, Diesel: would you rather be a willing slave—or a powerful force for change?”
The question hits hard.
Diesel’s thoughts spin out: politicians selling hope while protecting only themselves, climate disasters on the news, endless inequality, schools that cram formulas into kids’ heads but never show them how to be whole.
Am I just telling people to behave while everything burns?
Inside him, the Blue Angel’s calm light presses against Tempter’s hot, electric pull. Two stations play at once on the same frequency. He can’t tune either one out.
As Diesel explains healing music frequencies and the Rebels plan a rock concert, the ideological split becomes impossible to ignore. Diesel keeps going anyway.
He stands in the school library in front of a circle of students, a playlist projected behind him.
“Real empowerment comes from inside,” he says. “From joy. From actually listening to your conscience.”
He points to the screen.
“When we choose uplifting music—classical, ambient, anything that raises us—we change our own energy. We’re less anxious. Less angry. All of us benefit. Rock music has infected our society with chaos. We don’t even hear it anymore because we live inside it.”
As he speaks, a quiet relief rolls through his chest. It feels like he’s finally saying something his soul has held for years.
Beside him, the Blue Angel’s presence hums like a hidden halo, blue‑white energy shimmering around his throat as he talks.
But Tempter doesn’t leave.
In the back of Diesel’s mind, a voice roars.
“You coward,” Tempter snarls. “You’re throwing away the power of chaos. You’ll never grow if you refuse the wild side of life.”
Diesel curls his fingers into fists beneath the table, nails biting into his palms.
Part 2
He thinks of nights spent wired and restless, headphones up too loud, heart racing against his ribs. Facts he’s read flash in his memory like sharp bullet points:
* Repeated exposure to violent lyrics normalizes lawless behavior.
* Constant violence in the media numbs people to real‑world corruption.
* Heavy metal and some rock styles correlate with loneliness, confusion, depression and anxiety.
* Lyrics that glamorize drugs and alcohol make substance abuse sound like a joke.
He scans the faces in front of him.
“Music is supposed to connect us to higher frequencies,” Diesel says, his voice steadier. “Not just fuel rebellion for its own sake.”
He breathes in.
“The power of sound should push us to act right,” he says. “To act righteously.”
As the words leave his mouth, a thin column of pale light seems to rise from his chest, invisible to everyone but him. It feels like sending a signal.
With a new focus, Diesel shifts gears.
He organizes workshops on writing uplifting music. He hosts open‑mic nights with upbeat songs, instrumentals, and lyrics about healing, community, and protecting the planet. He encourages students to explore genres that resonate with what he calls the Holy Spirit.
Tempter appears in the corners of every room—perched on amps in the music room, lurking at the back of assemblies—his face twisted with frustration.
Many students lean toward the new sound. They are tired. They want gentle. They want hope.
But not all of them.
Some cling to rock like a lifeline.
The divide becomes obvious. Friend groups split. Group chats fracture. Whispers and jokes trail Diesel down the hallways.
“Look at them,” Tempter hisses in Diesel’s mind. “They mock your new path. They’re addicted to the thrill. You’ll never reach them with light and kindness.”
“Maybe I don’t need everyone,” Diesel thinks back. “If I can reach a few, it matters.”
Still, the pressure keeps rising.
A group of rock‑loving students forms a counter‑movement. They call themselves The Rebels.
Tegan, one of the loudest voices, floods social media with posts.
“He’s trying to take away our right to express ourselves,” one post reads. “We demand the right to blast low rock in the hallways between classes.”
Another post says, “We need background music while teachers talk, or we’re brain‑dead. Silence is torture.”
The sarcasm lands hard on kids running on too little sleep and too many assignments.
Tensions spike.
The Rebels announce a massive rock concert.
Freedom Fest.
They invite everyone to “celebrate the right to choose what you hear.”
Diesel feels the weight of it like a storm front.
Tempter’s presence coils around his thoughts like smoke.
“I’ll show you real power,” Tempter whispers. “You think your soft positivity can outshine the raw energy of rock? They’ll see how weak you are.”
Diesel breathes in, then out, steady.
“We’ll show them light isn’t weak,” he answers inside. “Light has a strength you can’t even imagine.”
He starts planning another gathering.
Same night. At the same time.
Not a protest.
A choice.
The musical showdown between Freedom Fest and healing music hangs heavy in the evening air. Showdown night arrives.
The whole town feels weird, like someone turned the volume up on the air.
On the east side, in a converted garage, the Rebels hang lights and banners. Amps hum. Drums thud through sound check. A thick buzz of excitement builds as students pour in—band shirts, dyed hair, black eyeliner, or just plain hoodies. It’s the biggest event in months.
Inside, the energy swirls dense and hot, like red‑black smoke rising from the floor. It clings. It feels addictive.
Across town, in the park, Diesel and his friends set up a smaller stage.
Fairy lights wind through tree branches. Hand‑painted signs lean against speakers: Music = Healing, Raise Your Frequency, Sound for Souls.
Kids spread blankets. Some bring guitars, violins, djembes. There’s nervous laughter, awkward jokes, and a fragile sense that this might matter more than it looks.
Diesel stands at the edge of the makeshift stage, heart pounding.
He feels the difference between the two spaces as if they were two different climates.
At Freedom Fest, the energy feels like an engine revving in a closed garage. Fumes building. No way out.
Here, in the park, it feels like a wide‑open sky—lighter, but exposed.
He steps up to the mic.
“Tonight,” Diesel says, his voice carried by borrowed speakers, “we’re not just here for music. We’re here to see what sound does to us.”
He looks over the small crowd.
“Let’s try songs that heal and lift,” he says. “Let’s see what it’s like to leave a concert feeling…better.”
Across town, the first band at Freedom Fest slams into their opening chord.
Guitars scream. Drums crash. The crowd roars so loud the walls shake.
At the park, a violin starts a hopeful melody. A guitar joins in with chords that feel like sunrise instead of midnight.
Two gatherings. Same town. Linked in an invisible field of thought and feeling—a duel of frequencies.
In the park, students sway gently. Some lie back on blankets, staring at the stars between tree branches. Laughter bubbles up between songs.
At Freedom Fest, kids jump and shove each other, shouting lyrics about defiance, despair, and not caring if tomorrow exists.
Near the park stage, Tempter hovers like a heat shimmer, flickering at the edge of Diesel’s sight.
“You’ll never pull them away from what they crave,” Tempter hisses. “Power. Thrill. ‘Freedom.’ The light you offer is weak next to those dark chords.”
On Diesel’s other side, the Blue Angel stands with wings half‑unfurled, her blue aura stretching over the small crowd like a dome.
Diesel feels them both pressing in—two storms meeting over his head.
He closes his eyes for a second.
“You’re wrong,” he says quietly.
He opens them and looks out.
He sees the shy kid who never speaks in class now singing into the mic, voice shaking but steadying on the notes. He sees the girl who gets panic attacks laughing, her head tipped back, like for once she isn’t waiting for something bad to happen.
“We can find real power,” Diesel says, louder now, “without losing ourselves.”
His words seem to ripple through the group like a warm, gold‑edged wave. Shoulders loosen. Faces soften. Something invisible in the air shifts.
While Diesel considers blending styles and the dangers of destructive rock, the two crowds begin to merge in unexpected ways. Hours pass.
Somewhere between songs, something strange happens.
A few students slip out of Freedom Fest.
At first, it’s just one or two kids stepping outside for air, ears ringing, hearts pounding. They notice a distant glow from the park and the faint drift of gentler music under the throb of bass.
Curiosity tugs.
They follow it.
Soon, clusters of Rebels stand at the edge of the park, half‑hidden by trees, unsure if they’re allowed to cross the invisible line.
Diesel sees them.
His chest tightens.
This is it, he thinks—the hinge moment.
He steps toward them, mic still in his hand.
“Music is our universal language,” Diesel calls, raising his voice so it carries.
He gestures for everyone—park kids and newcomers—to come closer.
“Come in,” he says. “Just listen for a minute. No sides. Just ears.”
A rough semicircle forms around the stage.
“Music is about choices,” Diesel says. “Not pretending dark and light are the same.”
Inside his skull, Tempter’s voice cuts in—slick, urgent.
“Tell them they can have both,” Tempter whispers. “Invite them to love rock and uplifting music. Promise them everything. No sacrifices.”
Ideas flood Diesel’s mind, too fast, too smooth. They don’t feel entirely like his.
“You’ll reach more if you blend it,” Tempter urges. “Use rock rhythms with positive lyrics. Create a sound that pleases everyone. Recruit more souls by giving them what they crave, dressed up in ‘good intentions.’”
In Diesel’s mind, a future snaps into focus: worship nights with pounding drums and hypnotic chants, kids swaying in near‑trances, hearts wide open. Doors open wide for any spirit to step in—light, dark, or something in between.
On the grass, someone from the Rebels side plugs in a guitar and starts a familiar rock riff, layering it over the park’s softer chords.
The mix is…intoxicating.
“This is it!” a voice in the crowd shouts. “We don’t have to pick a side. We can mix it! Music that celebrates all our emotions.”
A scatter of cheers answers.
Diesel looks at them, heart hammering.
He lifts the mic.
“Let’s embrace all our emotions,” Diesel says.
The words fall out before he can stop them.
“Let’s create a space,” he continues, “where we can explore anger, joy, sadness, love—all through music. Where we can celebrate everything that makes us human without losing our connection to each other.”
He hesitates.
That part feels true.
Then something darker slips in.
“We can have each other,” Diesel adds, “instead of some unseen Conscience telling us what to feel.”
He hears himself, but it’s like his mouth moves a second ahead of his mind.
“We can support and cheer on each other’s diverse, even twisted lifestyles,” he says, “and still keep the right to explode with negative emotions whenever we want.”
The last line lands like a dropped stone.
Wrong.
The Blue Angel’s glow flickers.
Tempter smiles.
The crowd cheers anyway—some from relief, some from confusion, some because cheering is easier than thinking.
Above the park, in a field no one can see, forces collide.
* Violent themes in lyrics keep training minds to treat lawlessness as normal—even when the songs joke about it.
* Constant glamorized corruption in the media numbs teens’ natural horror at real injustice.
* Rock, soaked in despair and rage, keeps triggering loneliness, confusion, depression and anxiety.
* Songs that idolize drugs and alcohol keep raising the odds that someone goes from listening to trying.
Underneath the beat, deeper currents run:
* Tempters pump out beliefs that erode values and shatter families.
* When kids already feel rejected, rock becomes a friend that whispers, You’re right to hate everything.
* Loud, relentless playlists before bed wreck sleep cycles. Exhausted minds break down faster.
* Hidden suggestions hide in certain lyrics and frequencies, sliding under logic and nudging choices from the shadows.
Somewhere beyond the stars, fallen beings with hungry, hollow eyes keep pushing rock as their perfect distraction. Confusion. Chaos. Noise.
Discordant music keeps youth distracted and unmotivated. It makes them easier to steer toward someone else’s agenda. It becomes a subtle mind‑control pattern—training them to be both rebellious and weirdly obedient to whatever the crowd is doing.
Tempters tug strings in the music industry, using certain artists as pawns to spread ideas that crack whole communities.
Rock becomes a constant background buzz—keeping teens busy, numbed, and too tired to question who’s really in charge.
In the middle of the park, Diesel feels all of it pressing down.
He looks at the faces around him, lit by phone screens and fairy lights. Some glow with hope. Others already slide back toward that dull, familiar numb.
Then he hears another voice.
Quieter. Deeper.
This isn’t over, it whispers. You haven’t really chosen yet.
Rock still pulls powerful emotions to the surface—anger, rebellion, grief. Fallen forces can grab those waves and amplify them, pushing some kids to rebel against any authority at all, even their own better judgment.
Exhausted, drugged‑out artists pour their heartbreak and self‑hate into the airwaves. Their pain seeps into listeners who don’t even know why they suddenly feel worse.
Low‑vibration frequencies wrap around those feelings, pulling souls down, away from slow, steady growth.
The Tempters want one thing: to keep people cut off from their higher selves, from real spiritual truth. Rock, twisted just right, becomes the perfect channel for that disconnection. It invites teens to chase material highs and external status instead of inner peace.
Diesel stands at the literal and spiritual crossroads, mic hot in his hand, heart pounding.
He sees it clearly now:
* Rock can carry dark ideas, seeded with subliminal nudges.
* It can stir unrest and discontent, destabilizing whole generations.
* The roar of some concerts feels like a ritual—crowds offering their life‑force to something they don’t name.
* Some musicians channel energies they don’t understand, creating tracks soaked in rebellion and despair.
He also knows another path is real—sounding like medicine. Sound as courage. Sounds like a real community.
Diesel draws in a breath. The night holds it with him.
He lifts his eyes toward the sky, about to speak words that will tilt the scale.
The sound of shadows and the sound of light hang in the air, waiting.
And the story—of music, of teens, of who they become through what they listen to—is only just beginning.
Diesel walks to an old train-track warehouse on the edge of town, listening to rock music on his headphones. Inside, he encounters a mysterious dark entity called "Tempter," who argues that rock music is a toxin saturated with rebellion, despair, and chaos designed to weaken human values, fracture families, and distract souls from their higher purpose. Following Tempter's dark presentation, a radiant Blue Angel appears and challenges Diesel to lead a movement to eliminate rock music and promote healing sounds. Diesel starts a social media campaign and school workshops advocating for uplifting, high-frequency music, which causes a cultural divide and prompts a counter-movement by rock-loving students called "The Rebels," culminating in a simultaneous musical showdown between a rock concert ("Freedom Fest") and Diesel's park gathering. As the crowds begin to blur and merge, Tempter whispers to Diesel to blend the styles by using rock rhythms with positive or rebellious lyrics, tempting him to compromise light and dark.
The Frequency of Sound: Music acts as an energetic force that shapes human behavior, beliefs, and emotional states, with chaotic or dark frequencies resonating with negative emotions and disconnecting souls from spiritual truth.
The Dangers of Destructive Music: Rock and heavy metal styles are portrayed as tools used by fallen entities to normalize lawlessness, glamorize substance abuse, fuel depression and anxiety, and keep generations distracted and unmotivated.
The Power of Choice: Sound is a battlefield where listeners must consciously choose between frequencies that drag consciousness down (chaos, despair, ego rebellion) and those that raise the soul's vibration (healing, community, hope).
The Trap of Compromise: Fallen entities frequently attempt to co-opt spiritual movements by encouraging a "blend" of light and dark, tricking well-meaning individuals into packing spiritual truths inside chaotic, low-vibration packaging.
Diesel: A student who grapples with his love for rock music, encounters both a dark Tempter and a radiant Blue Angel, and attempts to lead a community music movement.
Tempter: A dark, velvet-voiced entity who manipulates Diesel by explaining how rock music serves as a toxic tool to destabilize human society and distract souls.
The Blue Angel: A radiant, blue-robed presence who counters Tempter by offering Diesel a path of awakening, leadership, and true healing values.
The Rebels: A group of rock-loving students who push back against Diesel's campaign and organize a rival concert called "Freedom Fest."